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Every back bent a little lower. Every face flushed a little rosier under its coat of grime. Praise from Billy was all they asked. The solid rock of the mountain had been cut away from the rear of the house to form a natural, paved court. At the top was a small chicken coop, its wall flush with the wall of rock; and near it grew an oak sapling not larger than Billy’s arm. “This is a xylophone, take this little wooden hammer and play a few notes.” Moses took the hammer held out to him and striking a wooden bar brought out a weird but sweet sound. He struck several bars in succession and was enraptured to find that they produced a sort of veiled silvery music. “Sounds like the moon looks when you carnt see it fer clouds,” he mused, “Mar thinks I’d make a moosican, mebbe she’s right.”.
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Conrad
“I’ll take all the blame Mosey.” The unstinted praise of the children in the operetta, the aftermath of buzz about the “show” at school,—this excitement lasted for a day or so; but on this lowering Sunday tired nature put in a claim for her own; and relaxed nerves were irritably near the surface. “Your nose is out of joint, Edith! I’ve got a new sister.” But his eyes belied his blunt words. Billy looked up at the Italian, saw him take a pistol from his pocket, discharge it in the air, replace it, and go calmly on with his work. What could that be for? A warning? Yes; for he realized suddenly that every sound in the house had ceased. The wagon passed from sight. He could hear the voices of the men as they drove by, see the driver pointing to the house with his whip; and one of the women on the rear seat looked back as long as the house could be seen. Then the soft mysterious sounds began again..
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